Most of us western Christians grew up looking at images of the crucifixion that show Jesus being pierced with one nail over both feet, as in the picture at right. Sometimes we see images which have both feet nailed separately (making a total of four nails), but the three nails version is, for most of the time, definitive. There are people who would even say that this portrayal is "traditional", sometimes almost giving the impression that the four-nails version were somehow a novel variation. We must note, however, that depicting only three nails is purely a medieval (this iconographic convention only started around the end of the 1st millenium), Western thing; Eastern icons, with a few Western-influenced exceptions, uniformly portray four nails being used to pin Jesus down to His cross. And here they are following a more ancient iconographic tradition which could have some basis in historical reality.
The oldest depiction of a crucifixion we have, the Alexamenos Graffito (dating from the late 1st-3rd century AD), clearly shows the crucified figure's feet as being separate. Other early images, such as a late 2nd-3rd century carved jasper either from Syria or Gaza (part of the Pereire Collection), a graffito found in Puzzuoli, another gem, and a relief from Santa Sabina in Rome (ca. 430-435 AD), follow suit in not showing the feet as being placed above the other. This convention has passed on to later Christian iconography, and for a time people, both in the East and the West, portrayed Jesus Christ being crucified with His feet separate.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Saturday, August 21, 2010
Thursday, August 12, 2010
Exhibition in Dresden reunites Dürer painting with altarpiece following a 21-year restoration
A tip of my (symbolic) hat to the folks at The New Liturgical Movement for this headline: Durer Altarpiece Unveiled 21 Years After Acid Attack.
LONDON. A panel from Dürer’s first major altarpiece has been restored after a 21-year treatment following a devastating acid attack in Munich. The Virgin of Sorrows has been unveiled in Dresden, where it was reunited with the rest of the altarpiece of the Seven Sorrows for the first time in nearly five centuries.
Dürer painted the Seven Sorrows and the Seven Joys of the Virgin in 1496, at the age of 25. It may have been commissioned by Frederick the Wise for his palace church at Wittenberg. The altarpiece was probably dismembered during the Reformation, and the seven panels of the Sorrows (of the life of Christ) passed to the artist Lucas Cranach the Younger, whose father had been a court painter. In 1588 Cranach’s estate sold them to the Saxon art collection in Dresden, and they later went to the city’s Gemäldegalerie [...]
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